by Ben Childers Rating: After months of anticipation, Dolly’s forty-ninth solo (and sixty-sixth overall) studio album Rockstar has finally arrived! I was a little apprehensive from the beginning about this project because I didn’t know if Dolly could pull off a full-length rock album without it seeming too gimmicky. My reservations about the album grew when she announced the length of the record (30 tracks!!), but my worries were put to rest with the release of the first single, “World on Fire”, and upon hearing the full record I was absolutely blown away! Dolly sounds fantastic throughout and the production of the record is superb. The musicians absolutely killed it. I could not be more proud that she is still pushing boundaries and taking her career and artistry in new directions. Who else but Dolly could assemble the roster of guest artists on this project? This is a real rock ’n’ roll album! She’s a rockstar now! Disc IThe album opens with a Dolly original titled “Rockstar”, of course. The song features a spoken introduction where a young musician is told by her father to stop practicing her electric guitar because it’s too noisy. This leads into a rockin’ tune about dreaming of growing up to be a rockstar, with a special guest appearance by Richie Sambora. It’s an exhilarating opening that sets the stage for the songs and guests to follow. Track 2 is lead single “World on Fire”. This song sees Dolly being the most outspoken she has ever been about her views. This track was a great introduction to the album and gave Dolly a chance to speak up about politics and religion in a way she usually doesn’t. Track 3 is a cover of “Every Breath You Take” by The Police. Dolly is joined on this track by the band’s lead singer Sting. It’s pretty true to the original version, but Dolly makes the song her own. It’s one of the strongest covers on the album. This is followed by Journey’s “Open Arms” featuring Journey frontman Steve Perry on what can only be described as possibly the most moving cut on the record. Upon my first listen, I was completely sold on the project when I heard this track. Track 5 is Heart’s “Magic Man” featuring the band’s lead singer, Ann Wilson. While it stays pretty faithful to the original, it’s a really fun cover. Next up is Creedence Clearwater Band’s “Long as I Can See the Light” with the song’s composer and the band’s founder John Fogerty. The soulful track includes some great saxophone by Mark Douthit. Track 7 is another Dolly original titled “Either Or”, featuring Kid Rock. While all the covers are great, Dolly really shines on the original songs and this one is no exception. Steven Tyler guests on the next Dolly original, “I Want You Back”, which Dolly explained was written with him in mind to sing it with her. Stevie Nicks is featured on the next track, “What Has Rock and Roll Ever Done for You”, a fun song Nicks had written and recorded back in 1985 for her Rock a Little album, although it didn’t make the final track listing. Track 10 is a Dolly solo performance (a rarity on this record) on Prince’s “Purple Rain”. Dolly turns it up all the way up to 11 here, giving a phenomenal delivery of this classic song. Track 11 is a cover of “Baby, I Love Your Way” featuring the song’s originator and writer Peter Frampton. Up next is a fun cover of “I Hate Myself for Loving You” with Joan Jett and the Blackhearts. Track 13 is a cover of Bob Segar’s “Night Moves” featuring Chris Stapleton. It is an album highlight, although it sounds a little more country than the rest of the album, but still rock enough to not sound out of place. Next up Dolly covers goddaughter Miley Cyrus’ 2014 hit “Wrecking Ball” featuring a guest appearance from Miley. I love the way they incorporated bits of “I Will Always Love You” into their cover. Disc one closes with a cover of the Rolling Stones’ “(I Can’t Get No) Satisfaction” featuring P!nk and Brandi Carlile. Disc IIDisc two begins with a cover of the REO Speedwagon song “Keep On Loving You” featuring the band’s lead singer Kevin Cronin. This one has become one of my favorites on repeat listens of the album. Up next is a cover of Blondie’s “Heart of Glass” featuring Debbie Harry. I was really excited for this one, bit I ended up feeling like it was a misstep. I wasn’t a fan of Dolly or Debbie’s vocals on this one. A fantastic cover of Elton John’s “Don’t Let the Sun Go Down on Me” follows, featuring Elton himself. A studio duet between Dolly and Elton was long overdue. “Tried to Rock and Roll Me” is another Dolly original. This time she teams up with Melissa Etheridge and the results are perfection. Track 20 is Dolly’s second cover of Led Zeppelin’s “Stairway to Heaven”. She first recorded a bluegrass cover form her 2002 album Halos & Horns (which might be my favorite Dolly cover ever). This time she recorded the song in its original lyrical and musical form with assistance from Lizzo on flute (Sasha Flute). This recording in amazing and Dolly’s high notes at the end are some of the highest of her career. Track 21 is a cover of Queen’s “We Are the Champions / We Will Rock You”. This cover just falls flat for me, but I’ve never particularly liked “Champions”. Up next is another Dolly original, “Bygones” featuring Rob Halford. Track 23 is a cover of Dolly’s own “My Blue Tears”, which originated on her 1971 album Coat of Many Colors. While I love this song, it is one of the few missteps on the album. Even with a “rock” arrangement it still sounds too Appalachian and bluegrass. It’s a great recording, it just doesn’t fit the theme of the album. This is followed by a cover of the 4 Non Blondes song “What’s Up?” featuring the song’s writer and the band's lead singer Linda Perry. This song and its music video are perfection. I’d love for Dolly to do a whole album with this sound. Track 25 is a tribute to Linda Ronstadt on a cover of her hit “You’re No Good”. Dolly is joined here by Emmylou Harris and Sheryl Crow to form a “new Trio.” It’s a great tribute and a sweet way to include Linda on this project. I wish Linda was in better health and still able to sing so she could’ve been a part of this album. Pat Benatar joins Dolly for a cover of “Heartbreaker”. This cover is again very true to the original, but it is so much fun. “Bittersweet” is up next. A Dolly original, this time she is joined by Michael McDonald. Track 28 is “I Dreamed About Elvis” featuring Ronnie McDowell as the King, a track Dolly originally announced and performed live back in 2004. While I am glad to have this track after all these years, it is another small misstep on the record. Its sound is more 1950s rock and it just doesn’t fit well with the rest of the album. Track 29 might be the greatest achievement on the album, a mini Beatles reunion on “Let It Be”. Paul McCartney and Ringo Starr join Dolly here for a perfect rendition of the iconic Beatles classic. The album closes with a great cover of “Freebird” featuring Lynyrd Skynyrd. Bonus tracksThe HSN Limited Edition of the album comes with three bonus tracks, all Dolly solo performances. “Mama Never Said” is a fun Dolly original about things Mama taught her and things she didn’t. The second bonus track is a cover of “Hit Me with Your Best Shot”, and while it is a good attempt at the song, it’s the only track on the album for me that seems to veer into karaoke territory, so I can see why it was relegated to bonus track status. The final HSN bonus track is “Rockin’ It”, which is the song Dolly wrote for and performed at her Rock ’n’ Roll Hall of Fame induction last year. The track listing says the track is “live”, but it’s not the Hall of Fame induction ceremony performance. It appears to be a studio recording of the song with audience applause overdubbed onto it. No complaints here though, I’ve wanted a studio recording of the song since Dolly first performed it.
The UT Limited Edition included a live performance of “Rocky Top”. While I had hoped for a new recording of this song, it is taken from Dolly’s 2004 live album Live and Well. Dolly set out to make a rock album to “earn” her spot in the Rock ’n’ Roll Hall of Fame, and she has more than done that. At almost 78 years old, who else is still putting out some of the best work of their career while also pursuing new endeavors every day? Some of the critics haven’t been kind toward the album, but they either don’t understand it or are looking at it from the wrong point of view. Dolly isn’t trying to break new ground in the rock genre, her intentions were to honor the genre and show her appreciation for being inducted into the Hall of Fame, while also getting to perform with as many rock legends as possible. To the musicians, producers, photographers, and Dolly, we give a huge round of applause and a standing ovation. You did it, Dolly. You’re a rockstar now! Vinyl Me, Please announced on Wednesday, November 8, that the next title to be released in addition to the Vinyl Me, Parton subscription is Honky Tonk Angels, the iconic collaboration album by Dolly, Loretta Lynn, and Tammy Wynette. Available on 180g Blue & Pink vinyl, this marks the first major release of the album on LP (it had a VERY limited release in Zimbabwe in 1993). It is being pressed at Memphis Record Pressing and comes in a reverse board, foil stamped jacket. Limited to 2,000 copies, the records will be individually numbered. The album is available for pre-order now and is expected to ship by March 2024. I am beyond excited to add this album to my record collection! I’ve been dreaming of a vinyl release of this album for years. It’s one of my favorite Dolly records. We’re one week away from the release of Rockstar! Have you pre-ordered your copy yet? At the start of next year I will be returning to more regular updates on the home page. The “This Week” series became a little overwhelming with my work schedule, so I decided to take a step back and decide how to move forward. I came to the decision it would be better for me and more informative for readers to only highlight new releases on the home page blog with occasional anniversary posts for major releases from Dolly’s discography. As always, THANK YOU for checking out my website!
The release of Dolly’s forty-ninth solo and sixty-sixth overall studio album, Rockstar, is quickly approaching. I thought it would be exciting to follow “The Road to Rockstar” by listening to all of Dolly’s studio albums over the next several weeks (with a few extras thrown into the mix). Beginning September 12, I will be listening to one of Dolly’s studio albums every day as a build up to the release of what will be Dolly’s largest body of work to date! I’m sharing that plan here so anyone who wants to participate can listen along. Comments will be open on this post, so feel free to comment each day with any thoughts on the album or to discuss the music with other fans! It has been a long road to Dolly’s first Rock album, with lots of twists, turns, and detours along the way. Join me as I start from the beginning and travel the long and winding Road to Rockstar! The AlbumsSeptember 12 Hello, I'm Dolly (1967)
September 13 Just Between You and Me (with Porter Wagoner) (1968) September 14 Just Because I'm a Woman (1968) September 15 Just the Two of Us (with Porter Wagoner) (1968) September 16 In the Good Old Days (When Times Were Bad) (1969) September 17 Always, Always (with Porter Wagoner) (1969) September 18 My Blue Ridge Mountain Boy (1969) September 19 The Fairest of Them All (1970) September 20 Porter Wayne and Dolly Rebecca (with Porter Wagoner) (1970) September 21 As Long as I Love (1970) / A Real Live Dolly (1970) September 22 Once More (with Porter Wagoner) (1970) September 23 Two of a Kind (with Porter Wagoner) (1971) September 24 The Golden Streets of Glory (1971) September 25 Joshua (1971) September 26 Coat of Many Colors (1971) September 27 The Right Combination • Burning the Midnight Oil (with Porter Wagoner) (1972) September 28 Touch Your Woman (1972) September 29 Together Always (with Porter Wagoner) (1972) September 30 My Favorite Songwriter, Porter Wagoner (1972) October 1 We Found It (with Porter Wagoner) (1973) October 2 My Tennessee Mountain Home (1973) October 3 Love and Music (with Porter Wagoner) (1973) October 4 Bubbling Over (1973) October 5 Jolene (1974) October 6 Porter 'n' Dolly (with Porter Wagoner) (1974) October 7 Love Is Like a Butterfly (1974) October 8 The Bargain Store (1975) October 9 Say Forever You'll Be Mine (with Porter Wagoner) (1975) October 10 Dolly (1975) October 11 All I Can Do (1976) October 12 New Harvest...First Gathering (1977) October 13 Here You Come Again (1977) October 14 Heartbreaker (1978) October 15 Great Balls of Fire (1979) October 16 Dolly, Dolly, Dolly (1980) October 17 Porter & Dolly (with Porter Wagoner) (1980) October 18 9 to 5 and Odd Jobs (1980) October 19 Heartbreak Express (1982) / The Best Little Whorehouse in Texas (1982) October 20 Burlap & Satin (1983) October 21 The Great Pretender (1984) / Rhinestone (1984) October 22 Once Upon a Christmas (with Kenny Rogers) (1984) October 23 Real Love (1985) October 24 Trio (with Emmylou Harris and Linda Ronstadt) (1987) October 25 Rainbow (1987) October 26 White Limozeen (1989) October 27 Home for Christmas (1990) October 28 Eagle When She Flies (1991) / Straight Talk (1992) October 29 Slow Dancing with the Moon (1993) / Heartsongs: Live from Home (1994) October 30 Honky Tonk Angels (with Loretta Lynn and Tammy Wynette) (1993) October 31 Something Special (1995) November 1 Treasures (1996) November 2 Hungry Again (1998) November 3 Trio II (with Emmylou Harris and Linda Ronstadt) (1999) November 4 Precious Memories (1999) November 5 The Grass Is Blue (1999) November 6 Little Sparrow (2001) November 7 Halos & Horns (2002) November 8 For God and Country (2003) / Live and Well (2004) November 9 Those Were the Days (2005) November 10 Backwoods Barbie (2008) / Sha-Kon-O-Hey! Land of Blue Smoke (2009) / Live from London (2009) November 11 Better Day (2011) / Joyful Noise (2012) November 12 Blue Smoke (2014) November 13 Pure & Simple (2016) / Live from Glastonbury 2014 (2016) November 14 I Believe in You (2017) / Dumplin' (2018) November 15 A Holly Dolly Christmas (2020) November 16 Run, Rose, Run (2022) November 17 Rockstar (2023) August 21, 2015: The Blacklist soundtrack is released featuring a slowed-down version of Dolly's 1974 recording of "Jolene". August 21, 2020: "Mary, Did You Know" is released as the first single from Dolly's forty-seventh solo studio album, A Holly Dolly Christmas. It peaked at number 49 on the Billboard Hot Christian Songs chart and number 18 on the Billboard Christian Digital Song Sales chart. August 22, 1983: Kenny Rogers released his twelfth solo studio album, Eyes That See in the Dark. It includes a duet with Dolly on "Islands in the Stream", which topped the Billboard Hot 100 and the Billboard Hot Country Songs charts. The album peaked at number one on the Billboard Top Country Albums chart and number six on the Billboard 200 and was certified 2x Platinum by the RIAA.
by Ben Childers The fourth record in Dolly's 'Vinyl Me, Parton' subscription is her 1968 studio album, Just Because I’m a Woman. The album is pressed on Canary Yellow Galaxy vinyl and comes in a standard LP jacket which stays true to the original pressing except that the frame around Dolly and the album's title have been embossed in gold. The album's sound quality is outstanding, again this album has been pressed from lacquers cut from tapes mastered by Ryan Sterling at Sterling Sound. This month's online exclusive liner notes were written by Natalie Weiner. Without a doubt, this often overlooked album in Dolly's discography is more than deserving to be highlighted in this series and to be looked at with new appreciation by fans new and old alike. Just Because I'm a Woman was never a Dolly album that I gave much thought to apart from a few tracks. My original 1968 pressing was the first signed piece of Dolly memorabilia I ever acquired, so the album is special to me for that reason, but it is so much more than its title track. The album's title track and "The Bridge" are the only songs from the album that get much love from music critics and fans. Over the years, the album as a whole has gotten lost and all but forgotten among Dolly's vast discography. Hopefully this reissue breathes new life into the album for you the same way it has for me. The album opens with a Parton composition titled "You're Gonna Be Sorry". The uptempo tune sees the narrator telling a would-be lover that someday she's going to move on and he's going to be sorry for missing his chance. Opening her first major label album with a self-penned tune of female empowerment was a bold move and an almost unheard of thing to do in 1968, but this wasn't even the most forward thinking song Dolly included on this album. Track 2, "I Wish I Felt This Way at Home", was written by Harlan Howard. This song is from the point of view of a woman who finds more love with another man than she finds in her own home. "False Eyelashes" follows, and much like "Dumb Blonde" from her previous album, it's hard to believe that Dolly didn't write this song. There's so much of her personality in this song about how the lives of celebrities aren't always what they seem. Six years before Dolly would write and record her iconic classic "I Will Always Love You", she wrote the comical "I'll Oilwells Love You" with her uncle Bill Owens. In this play on words, the narrator seeks to find "a rich man" and "love her way to fame". "The Only Way Out (Is to Walk Over Me)", written by Neal Merritt, is a more traditional female country ballad where the woman is begging her husband not to leave. Side one closes with "Little Bit Slow to Catch On". Written by Curly Putman (writer of the previously mentioned "Dumb Blonde"), this fun little song is about being a little slow to realize you're being cheated on, but once you do you're "caught on" and leave. Side two opens with a more serious and somber song. "The Bridge", written by Dolly, is one of the songs from this album that has received the most attention and commentary over the years. The song sees a girl and boy meeting on a bridge and falling in love. The girl eventually becomes pregnant and the boy leaves her. Rather than go through the pregnancy alone the girl returns to the bridge and jumps to her death. It's extremely heavy subject matter for 1968 and it's honestly shocking that the song ever saw the light of day. Track 8 is a ballad written by Uncle Bill Owens titled "Love and Learn". This song talks about having to learn hard lessons in love by being hurt many times before eventually finding the right partner. This is followed by another Bill Owens composition, the uptempo "I'm Running Out of Love", which discusses the feeling of being fed up with your partner's selfish and unloving ways. Track 10 is the album's title track, "Just Because I'm a Woman". It is one of Dolly's earliest feminist songs (whether she wants to call it that or not). Dolly explained that she wrote the song as a response to her husband asking her if she had ever been with a man before him, and his subsequent reaction to her answer. The song analyzes the double standard where women are expected to remain pure for marriage and men are not held to the same standard. Track 11 is "Baby Sister". Written by Shirl Milete, this song is the lament of a big sister to her younger sister who has become a drunk in response to being let down by her boyfriend. The album closes with "Try Being Lonely", written by Buck Trent and George McCormick who were members of Porter Wagoner's band and television show. Produced by Bob Ferguson and an uncredited Porter Wagoner, this album stands tall among Dolly's early work. It shows off her unmatchable skill as a songwriter and her ability to convey emotion through the words of others. The inclusion of "The Bridge" and "Just Because I’m a Woman" show that Dolly was out to blaze her own path from the very beginning. Next month will see the 'Vinyl Me Parton' reissue of Dolly's 1980 album, 9 to 5 and Odd Jobs. If you haven't already, sign-up for 'Vinyl Me, Parton' today! ![]() Ben Childers is the administrator of The Dolly Parton Discography. A native of Tupelo, Mississippi, he grew up taking family vacations to the Smokies and Dollywood. His love for Dolly and her music reached a fanatical level in April 2013. After spending countless hours researching and cataloging Dolly's musical output, he decided to open a website dedicated to her discography. August 7, 2004: Floyd Tillman released his The Influence album featuring a duet with Dolly on "Slippin' Around". August 7, 2015: Don Henley released his duet with Dolly, "When I Stop Dreaming", as a single from his Cass County album. August 9, 2019: Kristin Chenoweth released her cover of "I Will Always Love You" featuring Dolly as a single from her For the Girls album.
July 17, 1978: Dolly released her twentieth solo studio album, Heartbreaker. It peaked at number one on the Billboard Top Country Albums chart and number 27 on the Billboard 200. It was certified Gold by the RIAA one month later for shipment of more than 500,000 copies. July 19, 1971: The Best of Porter Wagoner & Dolly Parton compilation album is released. It included one previously unreleased song, "Better Move It on Home". The album peaked at number seven on the Billboard Top Country Albums chart. July 21, 2008: "Shinola" is released as the third single from Dolly's forty-second solo studio album, Backwoods Barbie.
Image credit: spidey2 at 45cat.com July 10, 1972: "Washday Blues" is released as the first single from Dolly's tenth solo studio album, My Favorite Songwriter, Porter Wagoner. It peaked at number 20 on the Billboard Hot Country Songs chart. July 12, 1982: The Best Little Whorehouse in Texas soundtrack album is released. It peaked at number five on the Billboard Top Country Albums chart and number 63 on the Billboard 200. Image credit: Gonzoid at 45cat.com July 12, 1982: "I Will Always Love You" (form The Best Little Whorehouse in Texas soundtrack) and "Do I Ever Cross Your Mind" (from Dolly's Heartbreak Express) are released as a double A-single. "I Will Always Love You" peaked at number one on the Billboard Hot Country Songs chart. "Do I Ever Cross Your Mind" did not chart on its own, but did chart as the flip side of "I Will Always Love You" on the Billboard Hot Country Songs chart.
Image credit: boyjohn at 45cat.com July 5, 1976: "All I Can Do" is released as the second single from Dolly's album of the same name. It peaked at number three on the Billboard Hot Country Songs chart. July 5, 2014: "I Believe in You" is released as a free download promotional single to promote Dolly's Imagination Library through her official website. The release was intended to precede the 2014 release of Dolly's first children's album which saw a limited release in 2015. The single would be released commercially in 2017 preceding the album's commercial release. July 6, 2012: "From Here to the Moon and Back" by Dolly, Kris Kristofferson, and Jeremy Jordan is released as the second single from the Joyful Noise soundtrack. It peaked at number two on both the Billboard Christian Digital Sales chart and the Billboard Gospel Digital Sales chart.
Vinyl Me, Please announced on Thursday, June 29, the second Dolly album they will be issuing in addition to the previously announced 12 titles in the Vinyl Me, Parton subscription. Dolly's 2003 ode to America, For God and Country, is being released on vinyl for the first time. The 18-track album has been pressed on "Red, White, and Bluegrass" vinyl and is limited to 2,000 copies which will be numbered. The album is exclusive for Vinyl Me, Please members (for $40) until noon on Saturday, July 1, when it will become available to non-members (for $45). It is showing on their website as In Stock, so it looks like it's ready to ship out now! The release of For God and Country follows closely on the heels of the release of Pure & Simple, which began shipping out yesterday (June 28), following it's pre-order being announced in March.
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AdministratorBen Childers is the administrator of The Dolly Parton Discography. A native of Tupelo, Mississippi, he grew up taking family vacations to the Smokies and Dollywood. His love for Dolly and her music reached a fanatical level in April 2013. After spending countless hours researching and cataloging Dolly's musical output, he decided to open a website dedicated to her discography. Archives
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